I haven’t posted anything here in weeks. Sorry about that. I’ve been busy with my day job—more flying, fewer pilots—and my other blog. This time of year, I operate the Lake of the Woods Ice Patrol, featuring aerial photographs and updates on the spring thaw in Kenora.
When the ice goes out varies from year to year, and summer residents come to Kenora from all over the world. My website is pretty much the only place to offer regular reports so people can plan their travel dates. That demand for information leads to a lot of traffic, especially when we have a late spring.
Taking the aerial photographs, editing them, uploading them, and explaining them with coherent text takes a lot of time. There are also emails and comments to answer, plus I sometimes do interviews with radio stations.
Which is not to say that good things don’t go with my writing efforts. I recently did an author interview with Jay Whetter for Kenora Stuff magazine, and I’m looking forward to seeing that in print.
I’ve been doing some more narrations for the Antipodean SF Radio Show and Podcast, the audio version of the Antipodean SF magazine. Check it out if you like flash fiction of the speculative variety. I’ve read about two dozen pieces for them now, including two of my own.
I was startled to see my name mentioned in a Tweet from When Words Collide recently. Their 2018 writing conference in Calgary is still months away, but the tweet was about a panel I was on last year, on Worldbuilding, with Kristene Perron, Roxanne Barbour, and David B. Coe. As the most junior author on the panel, I moderated. I had forgotten, but that panel was recorded for podcast. You can now listen to it here.
I’ll be heading back to Calgary this August, for the 2018 WWC, and I’ll be doing a presentation on Aviation in Worldbuilding. What if your fictional world doesn’t have fossil fuels, heavy manufacturing, or thousands of airports? I’ll be talking about how the right kind of flying can make your world feel original, advance your plot, and maybe mess up your character’s life.
WWC’s tentative preliminary schedule also lists me as reader for the SF edition of Live Action Slush. Brave New Writers will hand over a page or two of their Work in Progress for me to read to the audience and a panel of editors, who will raise their hands when the manuscript loses their love. The mini-critiques that follow are kind, professional and helpful, but being told that your writing has glaring flaws is tough love. I often learn interesting things from the editors’ comments, and I suspect other writers do, too. The room is usually packed.