Prose and Cons: Countdown to Launch

AVIANS has been officially released, meaning it’s now widely available online. I have some links at the right, if you like.

Oh, and I just found out that copies have arrived at my local bookstore: Elizabeth Campbell Books at 129 Main St. S. in Kenora has them in stock now, and my books aren’t just in the store, they’re in the window!

The launch will be at When Words Collide, in Calgary, on Saturday, August the 12th. WWC is a big convention that brings together writers from all genres.

So between now and then, I have some things to do.

I have some panels to prep for. On Friday afternoon, right at 5:00, I have one called Worldbuilding? where I hope to talk about some of my favourite aspects of this art: using key details, showing what isn’t there, and staying true to the character’s perception. A fictional world, no matter how strange, should feel immersive.

Saturday morning is Pantsers versus Plotters with some friends at 10:00 am. Ron Hore is a true pantser. He picks a title and starts writing. Another of the panelists is Robert Runté, my editor from Five Rivers. I don’t actually know which side of PvP he’s on. I hope we have at least one dedicated plotter, because I think both pantsers and plotters are amazing. For me, outlining comes late in the process; I tend to write the action scenes first, then expand outwards, developing character as I go and plot twists last.

Saturday afternoon I have the launch: Five Rivers Presents is set for 2:00 pm in the Fireside Room, with Senior Editor Robert Runté presiding. At other events, I’ve read whole scenes or half scenes, but for this one I’m thinking of short snippets. That way I can introduce two or three of the main characters and choose pages that show them in action, conflict or stress. C.P. Hoff is going to be there to read some highlights from her A Town Called Forget, and she’ll make everyone laugh, so for my reading, I may choose some of the parts of Avians that make me cry. Like when Raisa vents on how she feels about arranged marriage, or when Mel clings to an unrealistic hope that an accident hasn’t been fatal.

Immediately after that, at 3:00, I have my solo presentation on Writing Aviation. I’m going to talk about some of the confused reporting I often see when the media covers aviation incidents and then move on to talk about using flying in fiction to advance plot in ways beyond mere transportation. Along the way, I hope to explain that pilots don’t really speak entirely in jargon, and that the lingo changes so fast that it’s probably a mistake to include much of it anyway. As an alternative, I’ll offer some ways to have fictional pilots communicate clearly to the reader.

I’ll be at the mass autograph signing on Saturday evening, but my book’s only been out for a little while, so I don’t think there will be any masses for me. I have author friends I can hang out with, though, and at least one is launching a book on the same day.

Last up for me is the Science Fiction session of Live Action Slush at 11:00 am Sunday. If you’re not acquainted, here’s how it works: brave writers shuffle up to the front of the room and hand over two or three pages from their manuscript to the reader. In this case, me. Maybe there’s a reason this gig was available: I’m crossing my fingers that I don’t get whole swaths of unpronounceable alien words. I read the pages without identifying the author, and then a panel of editors and pro writers quickly dissect the sample’s strong and weak points. The brave writers, sitting in the audience, get their skin thickened, which’ll come in handy later in the submission process.

Monday, I fly back to Winnipeg and drive home to Kenora. Tuesday, I have an event at the Kenora Public Library. A whole hour to talk about Avians and read some bits. What I like best is the chance to answer questions. There never seems to be enough time for that. I love talking about the stuff beneath the book – the stuff that isn’t spelled out in the text, but seeps up between the lines.

By the way, if you’re not going to be in Calgary or Kenora, but you’d like to hear a reading, check out the AVIANS Audio links on the right. (Try scrolling down if you’re using a mobile device.) I’ve recorded the blurb, and all the scenes from the first chapter.

Author Timothy Gwyn Three Random Questions Interview — Bonnie Ferrante – Books for Children

Timothy Gwyn writes science fiction stories and has recently finished his first novel, Avians. Bonnie Ferrante: Welcome Timothy. I thoroughly enjoyed reading your novel, Avians. It is quite apparent that you are extremely knowledgeable about flying and can discuss gliders and airships with great expertise. Can you tell us a little about your experience with […]

via Author Timothy Gwyn Three Random Questions Interview — Bonnie Ferrante – Books for Children

Upcoming events

I should have updated sooner, but I’ve had a rash of computer problems. I have recovered my data and my computer is running normally. For now. Fingers crossed.

Here’s a look at some things in the next few weeks.

Now

Back when Avians first became available for pre-order from the big booksellers, some of my friends informed me that Amazon was listing the book as available at the end of June, instead of the first of August. I wasn’t sure if that was right, but those people have received their Kindle copies, so there you go. If you can’t wait, Amazon has it available now.

Some reviews are up at Amazon, Library Thing, and Goodreads already. So far, things are looking encouraging, with four and five star reviews.

July

On the 18th of July, there will be a review of Avians on Bonnie Ferrante – Books for Children. Bonnie covers books for children for all ages, from ABC’s to Young Adult.  I also did a fun interview with her and that post will follow a day later. She always finishes her interviews with three random questions, and I think they reveal more about an author than the more logical questions do.

August

August 1st: the official release of Avians. It will be available from Barnes & Noble, Chapters/Indigo, Rakuten Kobo and Five Rivers, as well as Amazon.

When Words Collide is in Calgary on August 11, 12 & 13. Friday evening I’m on a panel on Worldbuilding. My particular focus is on how to show what isn’t there. On Saturday morning I’m on a panel on Pantsing versus Plotting, which should be fun, as I do neither. I’m a quilter: I write the exciting parts first, then stitch them together, outlining retroactively. Saturday afternoon I’ll be at Five Rivers Presents, for the Avians launch. Yay, finally! Then I have to dash across the road to do my presentation on Writing Aviation in the other building. Saturday evening I will put in an appearance at the mass Autograph Session. I’ll probably have plenty of time to chat with the other authors, as there won’t be very many copies of my book in the wild yet. Sunday will be a fun day, I’m the reader for the Science Fiction session of Live Action Slush. It will be my goal to confound the evil editors by making every story sound wonderful. Apart from all that, I had an offer to share a table with some friends in the dealer room. I’ll post further details on rooms, times and co-panelists when the schedule is finalized.

After I return from When Words Collide, on Tuesday, the 15th of August, I’m tentatively scheduled to do an event at the Kenora Public Library at 2:00 pm. I’ll read some short sections of the book and give one or two copies to the library, and then offer to sign some books. If you buy a copy at the event, Elizabeth Campbell Books will donate a portion of the proceeds to the library fund.

 

Keycon 34: Sunday

I agreed to three hours of programming on Sunday, and I ended up doing four. That’s kind of nuts, but it was actually okay. All of the rooms were within one floor of each other, so walking time was minimal. I had two back-to-back sessions, then a one-hour lunch break, then two more back-to-back sessions, and that took us to the closing ceremonies.

First up was an hour of readings. I joined Sherry Peters and Melinda Friesen for this, to try and improve the audience numbers. To be honest, it didn’t really work. Still, our tiny audience was nice, and there were questions. I read the first scene from Avians, Sherry read from Mabel the Lovelorn Dwarf, (the first of her series) and Melinda read a suspenseful scene from Subversion, the sequel to Enslavement. We kept our readings short, in the five to seven minute range.

Right after that was a panel on Critique Group Survival with Lindsay and Daria. I was grafted onto this panel late in the game because the convention planners didn’t want to make my Sunday so hectic. But when Lindsay asked me, I jumped at the chance. Their critique group made a huge difference to my novel opening, and quite likely helped make it good enough to get a publishing contract. See this older post for more. So I talked about that, and we urged the writers present to seek out critique groups. Take your pages. Leave your ego at home. The harshest criticism will do the most good.  Try to find a group with at least some members in the same genre.

Lunch, and the three of us joined a group of other writers in the hotel’s restaurant: Gerald Brandt, Craig Russell, Sherry Peters, Melinda Friesen. Craig entertained us all with a devious thought experiment about the desirability of intelligence and honesty, and it gave me a chance to unwind for a bit.

Next up was Lindsay’s panel on Aviation & Airships. She had everyone fill out a five-question quiz. Not exactly True or False, the choices were more like Plausible and Improbable, or something similar. The idea was to look at some tropes and misconceptions, like, “If a pistol bullet is fired through the skin of an airliner at altitude, there will be an explosive decompression.” While the audience was scribbling, we talked about some aviation fiction scenes that missed the mark. Lindsay’s questions were devious enough that no-one got all five right, at least not by our definition. Two guys tied with four out of five, and we settled it with a run-off question. In the end, I gave both of them signed copies of Avians. I don’t think my book was the draw here. I think it was the chance to participate and compete that drew people to this panel. Lindsay gets all the credit on this one – I was dubious, but I now count this a lesson learned. I’m already scheming to do something a bit similar at my next convention.

Last was How Do Writers Read? This panel featured Author Guest of Honour Kelley Armstrong, DAW author Gerald Brandt, and Den Valdron, who is with Five Rivers, same as me. I originally planned to nod politely while the better-known authors did most of the talking. However, for personal reasons, Gerald asked to step out of the moderator role, and I was asked to fill in. Not quite at the last minute; I had four hours to prepare. But during those four hours, I had three hours of panels. The show must go on. I basically winged it from the program description. Luckily, all the panelists were in fine form, and it was a fun panel.

As you can see, I had no time on Sunday to attend anyone else’s stuff. Said some quick goodbyes in the Dealer Room, and then I had to run, because we had a drive home ahead of us, and a deadline to retrieve our dog from the kennel.

This was the most involvement I’ve had in any con, and it could have been grueling, especially with a schedule that put so much on one day. It could have been, but it wasn’t: I had a really good time at Keycon this year.

 

Keycon 34: Saturday

On Saturday, I had a light schedule, with just one presentation in the morning. This is the first time I’ve gone to a convention as part of a team. Three of us from one critique group worked at supporting each other. I did my slideshow on Alternative Aviation in SF, with Lindsay Kitson’s help on the projector and Daria Patrie looking after details of giving away a signed copy of my book.

There’s no need to go into the content of my presentation in this post, the online version is available as a page on this blog.  Despite ensuring in advance that I had the right cable for the job, my tablet would not send anything to the projector, so we had to run the pictures from a USB stick. A couple of images didn’t display, but nothing that did real harm to the talk, and it was quicker than setting up my spare projector. (I’m a pilot. I have a backup plan for everything. I had three USB sticks.) Audience participation was good.

After that, I was free to wander around the convention. I ran into my nephew Keith and his family, and otherwise tried to follow Lindsay and Daria’s panels. Then I heard another presenter needed a projector, so I headed up to the admin suite to see if I could help. Of course, the cable I had didn’t work for his laptop, so he went to the hotel’s concierge, and they got him set up.

While I was doing that, I missed my friends’ panels on self editing, so I showed up in the boardroom for Daria’s panel on poetry in SF. Her co-presenter was MC (Matt) Joudrey, and he opened my eyes to some of the poetry hidden in speculative fiction. Example: “One Ring to Rule Them All.” Daria brought some works by some of her favourite poets in the genre. Whose names I should have written down, I now realize.

In the afternoon, I took in a couple more panels, one on Myth & Legend, and one on Point of View that tightened up my understanding of the different third person forms. Said hi to Melinda Friesen, because we would be doing readings on Sunday, along with Sherry Peters.

I ran into some friends in the Dealer room. One offered to review Avians, and when I pulled one of my author copies from my bag to sign, startled me by insisting on paying for it. Later, at supper with my wife and a friend, it was pointed out to me that this was the first sale of one of my books. Toasted that with a sense of wonder.

 

Prose & Cons: My Keycon Schedule

In May, I’ll be in Winnipeg for Keycon. The organizers consider me a published author, which is nice of them since Keycon 34 runs from May 19th to 21st, and Avians won’t actually be released until August 1st. Blatant plug: Avians is available for pre-order now at Five RiversKobo, Amazon, and Barnes & Noble.

I get to do stuff.

FRIDAY

On Friday evening, at 8:00PM, I’m attempting Miyazaki and Flight with Timothy Gwyn: Flight has fascinated humankind for centuries. Join our panelists as they discuss anime master Hayao Miyazaki’s use of flight in his films, and how they’ve inspired writers and fans alike.

Hayao Miyazuki’s anime works, especially his Nausicaä of the Valley of the Wind, have been a big influence on my fiction. He portrayed some lovely and fantastic flying machines: airships, multi-wing flying fortresses, jet powered gliders, and more. Not only that, he made the machines and their flight characteristics integral to his plots. The other panelists are still TBA.

SATURDAY

Saturday, I have it easy.

From 11:00AM to 12:00 noon, I present Alternative Aviation in Science Fiction with Timothy Gwyn: From Autogyros to Zeppelins: a catalogue of unusual aircraft past, present and future. A look at the strengths and weaknesses of each, plus how much technology is needed to build them, and how well they fit into different sub-genres of SF. Examples from noteworthy fiction, and how they played a role in plot or worldbuilding. Do you need air transportation in the age of steam, or on an alien world? Alternative aviation may hold the answers you’re looking for. Remember: getting there is half the fun!

I did this slideshow at When Words Collide last year, with Lindsay Kitson’s help. She has offered to run the projector and help again. Wait, did she say help or was it heckle?

After that, I’m free to roam around and take in friend’s panels. Such as Lindsay’s, and also Daria Patrie’s. I’m looking forward to How to Edit Your Own Work, and Why You Need an Editor, with Lindsay Kitson, J. Boone Dryden, Diane Walton and Daria Patrie, Point of View, with Gerald Brandt, Melinda Friesen, Lindsay Kitson, and Daria Patrie, Women in Speculative Fiction with Kelley Armstrong, Tamsen McDonough, Lindsay Kitson, and Van Kunder, and Critique Group Survival with Lindsay Kitson and Daria Patrie.  I’m in their critique group, and it’s been invaluable.

SUNDAY

Sunday, I’m busier.

From 11:00AM  to 12:00 noon, I’m doing the Book Reading with Timothy Gwyn, Sherry Peters and Melinda Friesen: Timothy Gwyn reads from Avians, Sherry Peters reads from Mabel the Mafioso Dwarf, and Melinda Friesen reads from Subversion. A question and answer session follows the readings. Stay until the end to receive a free ticket for a chance to win $40.00 in Dealers Room Dollars. One ticket, per person, per Reading Session. Draw to be held Sunday at noon.

Sherry and I go back several years, and I’m looking forward to meeting Melinda.

From 2:00PM to 3:00PM it’s Aviation and Believable Airships and Aircraft in Science Fiction with Timothy Gwyn and Lindsay Kitson: An interactive session with two pilots who are also writers. Lindsay Kitson and Timothy Gwyn tackle the credible and incredible in aviation fact and fiction. Learn how getting aviation right can enhance your story. Some pointers on how to keep it real with aircraft and airship scenes that actually work.

Lindsay and I both cringe at some of the things we see written about aircraft. In exchange for putting up with our grousing, audience members brave enough to take a quiz will have a chance to win one signed and dated author’s copy of Avians. Remember, that’s a pre-release first edition.

I might give away a second copy at one of my other slots. It’ll be a surprise.

From 3:00PM to 4:00PM, I have How Do Writers Read Books? With Kelley Armstrong, Gerald Brandt, Timothy Gwyn and Den Valdron: Can a writer read a book for pure enjoyment without critiquing the writing? Can genre writers read books within their own field without being overly influenced by those books? What books do writers read? What books do writers recommend aspiring writers to read?

This will be a nice way to finish up. Gerald Brandt helped me write queries and gave me great advice on a word-count problem. I’ve seen Kelley Armstrong at cons, but never really spoken to her, despite us having a name in common. Like me, Den Valdron is with Five Rivers Publishing, and I was at the launch of his The Mermaid’s Tale at When Words Collide in Calgary last summer.

Come see me and my friends at Keycon. I’m excited about it.

Author Copies

A box arrived in the mail the other day. Now, any day I get a parcel is a good day, but this box was especially fine because it contained books. My books.

I have to say, it feels special to actually pick Avians up and hold it.

The Five Rivers team lavished attention on this book, and it shows in every detail.

Cover artist Ann Crowe did more than the cover illustration you see here. Read what Ann had to say about her artwork for Avians at this page on the Five Rivers Publishing website, and see some of her preliminary sketches there too, including some I never saw. One of her alternative proposals that I did see was a character sketch of Raven and Mel that I loved, and a finished version of that graces the book’s title page. She also drew a little sketch of a glider and an airship for each chapter title, a beautiful touch.

Art Director Jeff Minkevics and book designer Érik Desmarais teamed up on a lovely title font, so between them, the book looks splendid inside and out. Érik even found time to fix a missing title that was my fault, and he has my gratitude for using my own little glider graphics as scene dividers. Jeff borrowed one of those three glider silhouettes I drew for Érik and put it to use on the back cover, so you can see it in the photo above.

In addition to all the work he did last year, Senior Editor Robert Runté smoothed over some last-minute hiccups: a sentence that got broken late in the setup, for instance, and a baffling one that we had somehow overlooked all along.

I can’t begin to imagine all the things publisher Lorina Stephens does, but I do know she was patient with my frequent anxiety attacks.

The end result of all this teamwork is close to miraculous. My beta manuscript was a stack of paper in a ring binder. Working with a responsive team at a small press has produced a finished product with some details that are amazingly close to my personal vision, but with an overall harmony that I could never have imagined. I couldn’t be prouder.

Avians is available for pre-order now, through Five Rivers and major online booksellers like Kobo, Amazon, and Barnes & Noble. Release is scheduled for August 1st, and it will be available in your favourite e-book format, or as the beautiful trade paperback you see above.