Keycon 34: Sunday

I agreed to three hours of programming on Sunday, and I ended up doing four. That’s kind of nuts, but it was actually okay. All of the rooms were within one floor of each other, so walking time was minimal. I had two back-to-back sessions, then a one-hour lunch break, then two more back-to-back sessions, and that took us to the closing ceremonies.

First up was an hour of readings. I joined Sherry Peters and Melinda Friesen for this, to try and improve the audience numbers. To be honest, it didn’t really work. Still, our tiny audience was nice, and there were questions. I read the first scene from Avians, Sherry read from Mabel the Lovelorn Dwarf, (the first of her series) and Melinda read a suspenseful scene from Subversion, the sequel to Enslavement. We kept our readings short, in the five to seven minute range.

Right after that was a panel on Critique Group Survival with Lindsay and Daria. I was grafted onto this panel late in the game because the convention planners didn’t want to make my Sunday so hectic. But when Lindsay asked me, I jumped at the chance. Their critique group made a huge difference to my novel opening, and quite likely helped make it good enough to get a publishing contract. See this older post for more. So I talked about that, and we urged the writers present to seek out critique groups. Take your pages. Leave your ego at home. The harshest criticism will do the most good.  Try to find a group with at least some members in the same genre.

Lunch, and the three of us joined a group of other writers in the hotel’s restaurant: Gerald Brandt, Craig Russell, Sherry Peters, Melinda Friesen. Craig entertained us all with a devious thought experiment about the desirability of intelligence and honesty, and it gave me a chance to unwind for a bit.

Next up was Lindsay’s panel on Aviation & Airships. She had everyone fill out a five-question quiz. Not exactly True or False, the choices were more like Plausible and Improbable, or something similar. The idea was to look at some tropes and misconceptions, like, “If a pistol bullet is fired through the skin of an airliner at altitude, there will be an explosive decompression.” While the audience was scribbling, we talked about some aviation fiction scenes that missed the mark. Lindsay’s questions were devious enough that no-one got all five right, at least not by our definition. Two guys tied with four out of five, and we settled it with a run-off question. In the end, I gave both of them signed copies of Avians. I don’t think my book was the draw here. I think it was the chance to participate and compete that drew people to this panel. Lindsay gets all the credit on this one – I was dubious, but I now count this a lesson learned. I’m already scheming to do something a bit similar at my next convention.

Last was How Do Writers Read? This panel featured Author Guest of Honour Kelley Armstrong, DAW author Gerald Brandt, and Den Valdron, who is with Five Rivers, same as me. I originally planned to nod politely while the better-known authors did most of the talking. However, for personal reasons, Gerald asked to step out of the moderator role, and I was asked to fill in. Not quite at the last minute; I had four hours to prepare. But during those four hours, I had three hours of panels. The show must go on. I basically winged it from the program description. Luckily, all the panelists were in fine form, and it was a fun panel.

As you can see, I had no time on Sunday to attend anyone else’s stuff. Said some quick goodbyes in the Dealer Room, and then I had to run, because we had a drive home ahead of us, and a deadline to retrieve our dog from the kennel.

This was the most involvement I’ve had in any con, and it could have been grueling, especially with a schedule that put so much on one day. It could have been, but it wasn’t: I had a really good time at Keycon this year.

 

Keycon 34: Saturday

On Saturday, I had a light schedule, with just one presentation in the morning. This is the first time I’ve gone to a convention as part of a team. Three of us from one critique group worked at supporting each other. I did my slideshow on Alternative Aviation in SF, with Lindsay Kitson’s help on the projector and Daria Patrie looking after details of giving away a signed copy of my book.

There’s no need to go into the content of my presentation in this post, the online version is available as a page on this blog.  Despite ensuring in advance that I had the right cable for the job, my tablet would not send anything to the projector, so we had to run the pictures from a USB stick. A couple of images didn’t display, but nothing that did real harm to the talk, and it was quicker than setting up my spare projector. (I’m a pilot. I have a backup plan for everything. I had three USB sticks.) Audience participation was good.

After that, I was free to wander around the convention. I ran into my nephew Keith and his family, and otherwise tried to follow Lindsay and Daria’s panels. Then I heard another presenter needed a projector, so I headed up to the admin suite to see if I could help. Of course, the cable I had didn’t work for his laptop, so he went to the hotel’s concierge, and they got him set up.

While I was doing that, I missed my friends’ panels on self editing, so I showed up in the boardroom for Daria’s panel on poetry in SF. Her co-presenter was MC (Matt) Joudrey, and he opened my eyes to some of the poetry hidden in speculative fiction. Example: “One Ring to Rule Them All.” Daria brought some works by some of her favourite poets in the genre. Whose names I should have written down, I now realize.

In the afternoon, I took in a couple more panels, one on Myth & Legend, and one on Point of View that tightened up my understanding of the different third person forms. Said hi to Melinda Friesen, because we would be doing readings on Sunday, along with Sherry Peters.

I ran into some friends in the Dealer room. One offered to review Avians, and when I pulled one of my author copies from my bag to sign, startled me by insisting on paying for it. Later, at supper with my wife and a friend, it was pointed out to me that this was the first sale of one of my books. Toasted that with a sense of wonder.

 

Prose & Cons: My Keycon Schedule

In May, I’ll be in Winnipeg for Keycon. The organizers consider me a published author, which is nice of them since Keycon 34 runs from May 19th to 21st, and Avians won’t actually be released until August 1st. Blatant plug: Avians is available for pre-order now at Five RiversKobo, Amazon, and Barnes & Noble.

I get to do stuff.

FRIDAY

On Friday evening, at 8:00PM, I’m attempting Miyazaki and Flight with Timothy Gwyn: Flight has fascinated humankind for centuries. Join our panelists as they discuss anime master Hayao Miyazaki’s use of flight in his films, and how they’ve inspired writers and fans alike.

Hayao Miyazuki’s anime works, especially his Nausicaä of the Valley of the Wind, have been a big influence on my fiction. He portrayed some lovely and fantastic flying machines: airships, multi-wing flying fortresses, jet powered gliders, and more. Not only that, he made the machines and their flight characteristics integral to his plots. The other panelists are still TBA.

SATURDAY

Saturday, I have it easy.

From 11:00AM to 12:00 noon, I present Alternative Aviation in Science Fiction with Timothy Gwyn: From Autogyros to Zeppelins: a catalogue of unusual aircraft past, present and future. A look at the strengths and weaknesses of each, plus how much technology is needed to build them, and how well they fit into different sub-genres of SF. Examples from noteworthy fiction, and how they played a role in plot or worldbuilding. Do you need air transportation in the age of steam, or on an alien world? Alternative aviation may hold the answers you’re looking for. Remember: getting there is half the fun!

I did this slideshow at When Words Collide last year, with Lindsay Kitson’s help. She has offered to run the projector and help again. Wait, did she say help or was it heckle?

After that, I’m free to roam around and take in friend’s panels. Such as Lindsay’s, and also Daria Patrie’s. I’m looking forward to How to Edit Your Own Work, and Why You Need an Editor, with Lindsay Kitson, J. Boone Dryden, Diane Walton and Daria Patrie, Point of View, with Gerald Brandt, Melinda Friesen, Lindsay Kitson, and Daria Patrie, Women in Speculative Fiction with Kelley Armstrong, Tamsen McDonough, Lindsay Kitson, and Van Kunder, and Critique Group Survival with Lindsay Kitson and Daria Patrie.  I’m in their critique group, and it’s been invaluable.

SUNDAY

Sunday, I’m busier.

From 11:00AM  to 12:00 noon, I’m doing the Book Reading with Timothy Gwyn, Sherry Peters and Melinda Friesen: Timothy Gwyn reads from Avians, Sherry Peters reads from Mabel the Mafioso Dwarf, and Melinda Friesen reads from Subversion. A question and answer session follows the readings. Stay until the end to receive a free ticket for a chance to win $40.00 in Dealers Room Dollars. One ticket, per person, per Reading Session. Draw to be held Sunday at noon.

Sherry and I go back several years, and I’m looking forward to meeting Melinda.

From 2:00PM to 3:00PM it’s Aviation and Believable Airships and Aircraft in Science Fiction with Timothy Gwyn and Lindsay Kitson: An interactive session with two pilots who are also writers. Lindsay Kitson and Timothy Gwyn tackle the credible and incredible in aviation fact and fiction. Learn how getting aviation right can enhance your story. Some pointers on how to keep it real with aircraft and airship scenes that actually work.

Lindsay and I both cringe at some of the things we see written about aircraft. In exchange for putting up with our grousing, audience members brave enough to take a quiz will have a chance to win one signed and dated author’s copy of Avians. Remember, that’s a pre-release first edition.

I might give away a second copy at one of my other slots. It’ll be a surprise.

From 3:00PM to 4:00PM, I have How Do Writers Read Books? With Kelley Armstrong, Gerald Brandt, Timothy Gwyn and Den Valdron: Can a writer read a book for pure enjoyment without critiquing the writing? Can genre writers read books within their own field without being overly influenced by those books? What books do writers read? What books do writers recommend aspiring writers to read?

This will be a nice way to finish up. Gerald Brandt helped me write queries and gave me great advice on a word-count problem. I’ve seen Kelley Armstrong at cons, but never really spoken to her, despite us having a name in common. Like me, Den Valdron is with Five Rivers Publishing, and I was at the launch of his The Mermaid’s Tale at When Words Collide in Calgary last summer.

Come see me and my friends at Keycon. I’m excited about it.

Author Copies

A box arrived in the mail the other day. Now, any day I get a parcel is a good day, but this box was especially fine because it contained books. My books.

I have to say, it feels special to actually pick Avians up and hold it.

The Five Rivers team lavished attention on this book, and it shows in every detail.

Cover artist Ann Crowe did more than the cover illustration you see here. Read what Ann had to say about her artwork for Avians at this page on the Five Rivers Publishing website, and see some of her preliminary sketches there too, including some I never saw. One of her alternative proposals that I did see was a character sketch of Raven and Mel that I loved, and a finished version of that graces the book’s title page. She also drew a little sketch of a glider and an airship for each chapter title, a beautiful touch.

Art Director Jeff Minkevics and book designer Érik Desmarais teamed up on a lovely title font, so between them, the book looks splendid inside and out. Érik even found time to fix a missing title that was my fault, and he has my gratitude for using my own little glider graphics as scene dividers. Jeff borrowed one of those three glider silhouettes I drew for Érik and put it to use on the back cover, so you can see it in the photo above.

In addition to all the work he did last year, Senior Editor Robert Runté smoothed over some last-minute hiccups: a sentence that got broken late in the setup, for instance, and a baffling one that we had somehow overlooked all along.

I can’t begin to imagine all the things publisher Lorina Stephens does, but I do know she was patient with my frequent anxiety attacks.

The end result of all this teamwork is close to miraculous. My beta manuscript was a stack of paper in a ring binder. Working with a responsive team at a small press has produced a finished product with some details that are amazingly close to my personal vision, but with an overall harmony that I could never have imagined. I couldn’t be prouder.

Avians is available for pre-order now, through Five Rivers and major online booksellers like Kobo, Amazon, and Barnes & Noble. Release is scheduled for August 1st, and it will be available in your favourite e-book format, or as the beautiful trade paperback you see above.

 

 

Avians – Cover Reveal

Can’t resist reblogging this!

Lindsay Kitson - Author and Pilot

You might recall I mentioned one of the members of my critique group was getting published, and I promised to post more when there were further developments. Well it’s getting closer to his publication date, and he’s got a cover reveal post on his blog right here. 

I read this in it’s infancy a few years ago, and while it needed work at that point – every novel does at that stage – I whipped through it as fast as I used to read authors like Lloyd Alexander and Monica Hughes. Actually, I think Monica Hughes would be the author I’d compare him to – YA, but with serious themes and without the preoccupation with romance that a lot of YA fiction with female focal point characters seems to feature these days.

And I can’t say 100% for sure that I didn’t read it that fast because it revolved around…

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The Name Thing

This post has two topics, really. The first is why the names of characters in my books are so culturally blended, the second is my use of a pen name.

I’ve always been fascinated by names that reflect different cultural backgrounds. A Mexican restaurateur called Jésus Fong. A CNN news anchor called Soledad O’Brien. Names like these abound, and often escape our notice. To me they are a sign that our world is shrinking and coming together, one child at a time.

So when I set out to build a fictional world, I wanted that. I also wanted gender equality. The name I have is patriarchal. It was my father’s name, and his father’s name. I do know my mother’s maiden name, but that was her mother’s husband’s name. I vowed that on my world, it would be different.

So here’s how it works on Celadon, my orphaned colony planet. Girls take their family name from their mother, and it does not change when they marry. (Hi, Quebec!) So Raisa Wing is the daughter of Maria Wing, who is the daughter of Rhiannon Wing, and so on, all the way back to the First Landing. Raisa gets her first name from her dad. Boys do the opposite: they take their family name from their fathers, and are given their first name by their mothers.

You can guess that Raisa and her sister Nikita’s dad has Russian lineage, and sure enough his name is Anthony Kinakin.

On Celadon, the surviving settlers comprised a limited gene pool, so there has been a concerted effort to mix it up, resulting in some fun names. Some of my favourites include Rajeet Bjornsen, Ichigo Bertollini and Roberto Chan.

This naming convention leads to two things. First, there are powerful dynasties built by both male and female lines. Second, there is a tendency for careers to fall into gender-led roles, as children follow their dynasty’s field of expertise. Raisa is expected to study the silk industry of her powerful fore-mothers. Her brothers will be more likely to take after their father, a dye-master.

This is one reason why all the pilots are women or girls. That, and I thought it would make a nice change from the day-to-day realities of my male-dominated profession.

Now, as to the pen name. My real name isn’t a secret, but Tim Armstrong is a very common name. There are two of us in the town where I live, for instance, and if you Google it, you get a lot of articles about an executive at a software giant. There are a lot of other famous Armstrongs, too: Neil the astronaut, Louis the jazz musician, Lance the cyclist, Bess the actress, Jo Jo the football player. And let’s not forget Kelley Armstrong, the author of speculative fiction for young adults. As far as I know, I’m not related to any of them.

I could never have registered Tim Armstrong as a web domain or a Twitter handle, whereas Timothy Gwyn was a snap. I do have to spell it for people, but I hold a sneaky hope that they’ll then remember it. Gwyn was the middle name given to me by my Welsh mother, by the way. We’re closing the circle here. AVIANS is dedicated to Ruth Maureen. That’s my mom. She’s long gone now, but she was always supportive of my writing.Avians-promo

If any of this makes you feel interested in AVIANS, it’s available for pre-order at an increasing number of vendors. The official release date is August 1st. Various formats of e-book and the trade paperback can be ordered through Five Rivers Publishing, Amazon, Kobo, and Barnes & Noble, with others to follow. Chapters/Indigo and vendors in the European Union are rolling out in the next weeks. If you want a good old-fashioned printed copy, and you don’t want to order it online, you can ask your local bookstore to order it in, and they should be glad to help. I’m pretty sure they don’t have any other authors called Timothy Gwyn.

AVIANS Cover Reveal

My publisher sent me a lovely surprise the other day. AVIANS is scheduled for an official launch on August 1st, but it’s available for pre-order now. You can find it at the Five Rivers Publishing website, at Kobo, and now at Kindle as well. Others will follow.

So, apart from pre-ordering, why visit those sites?

Well, at the Five Rivers Publishing site, you can not only see the cover and pre-order the book, you can also click on stuff about me. There’s an author profile, and now there’s an interview as well.

At the Kobo link, you can preview the book as far as the entire first chapter and a little more.

AVIANS will be available as an e-book and as a trade paperback (large format, soft cover).

I checked out the preview myself, because even I don’t have a copy yet. I found a couple more nice surprises. Way back when we were just exploring concepts for the cover art, artist Ann Crowe drew a sketch of Mel and Raisa. It was a very insightful drawing, and although it would have been tough to make it work as a cover, I loved it. I wasn’t sure if we could find a way to use it, so I’m delighted to see that makes an appearance inside the book. So do my little glider silhouettes. Book designer Éric Desmarais incorporated them as scene dividers, and found a font for the titles that complements them beautifully.

 

Can’t talk you into clicking on any of those links? Here’s a peek for the impatient.