Dinner Debriefing: Sous Sol

Sous Sol is tucked away in a basement in Winnipeg’s Osborne Village. There’s barely a sign. I’d say you have to be hip to eat there, but then I’d have to explain how I snuck in.

The menu is small, and changes often, so I don’t know how long that link will work. The ambiance is candlelit. The art is consciously trashy, which pairs well with the dim light. The chinaware is ornate, but mismatched, as if it were bought at yard sales. The food is divine.

Caroline and I joined our friend Donna, our Winnipeg guide to out-of-the-way bistros.

I started with the French cheese selection: a sharp goat cheese, an unpasteurized Trappist and a bleu, with an apricot compote, a tomato coulis and crostini. I let the ladies eat the bleu in exchange for a sample of the Fennel Salad they shared.

Caroline had the pork tenderloin, paired with the mushroom ragout. The pork was perfect. I chose the beef noisette with king oyster mushrooms and Calvados barbecue sauce. I also teamed it with the mushroom ragout. Donna had the crab croquettes with remoulade, poached egg and caviar. Technically, that’s a side dish, but it was as generous as the entrees. She got an order of sweet potato gnocchi for sharing. Everything was excellent.

Donna ordered the wine, the Chateau de Gaudou Malbec Merlot. It was too dark to see the colour, and I draw the line at turning on my smartphone’s flashlight to check it out when other people are trying to enjoy a meal. It tasted rich and dark, and we enjoyed it.

Caroline and Donna shared the last slice of a chocolate cheesecake, but I don’t remember the details.

Would I go back? Yes, definitely. In fact, this was our second visit.

 

 

Keycon 34: Saturday

On Saturday, I had a light schedule, with just one presentation in the morning. This is the first time I’ve gone to a convention as part of a team. Three of us from one critique group worked at supporting each other. I did my slideshow on Alternative Aviation in SF, with Lindsay Kitson’s help on the projector and Daria Patrie looking after details of giving away a signed copy of my book.

There’s no need to go into the content of my presentation in this post, the online version is available as a page on this blog.  Despite ensuring in advance that I had the right cable for the job, my tablet would not send anything to the projector, so we had to run the pictures from a USB stick. A couple of images didn’t display, but nothing that did real harm to the talk, and it was quicker than setting up my spare projector. (I’m a pilot. I have a backup plan for everything. I had three USB sticks.) Audience participation was good.

After that, I was free to wander around the convention. I ran into my nephew Keith and his family, and otherwise tried to follow Lindsay and Daria’s panels. Then I heard another presenter needed a projector, so I headed up to the admin suite to see if I could help. Of course, the cable I had didn’t work for his laptop, so he went to the hotel’s concierge, and they got him set up.

While I was doing that, I missed my friends’ panels on self editing, so I showed up in the boardroom for Daria’s panel on poetry in SF. Her co-presenter was MC (Matt) Joudrey, and he opened my eyes to some of the poetry hidden in speculative fiction. Example: “One Ring to Rule Them All.” Daria brought some works by some of her favourite poets in the genre. Whose names I should have written down, I now realize.

In the afternoon, I took in a couple more panels, one on Myth & Legend, and one on Point of View that tightened up my understanding of the different third person forms. Said hi to Melinda Friesen, because we would be doing readings on Sunday, along with Sherry Peters.

I ran into some friends in the Dealer room. One offered to review Avians, and when I pulled one of my author copies from my bag to sign, startled me by insisting on paying for it. Later, at supper with my wife and a friend, it was pointed out to me that this was the first sale of one of my books. Toasted that with a sense of wonder.

 

Keycon 34: Friday

Keycon is an SF convention held in Winnipeg on the May long weekend. I go because they have lots of stuff for writers. A few years ago, KeyCon 30 was the first sizeable convention I attended. I went to panels on publishing and agents, and I signed up for some blue-pencil sessions.

I remember being depressed after that. I went in thinking that with the book written, the rest would be easy. I left knowing that finishing a book is just the beginning.

I persevered.  I found a publisher. Avians is coming out in a few months.

Now I’m a panelist and a presenter, and I know most of the other writers there. I even own a display stand to show off my book.

Friday evening I had one panel, but it was perhaps the most challenging of the weekend. Chris Barsanti, the convention organizer who contacted me about attending, suspected I might be a Hiyao Miyazaki fan. His hunch was correct: Nausicaä of the Valley of the Wind is one of my favourite movies, and influenced my own story telling in several ways. Chris suggested we do a panel on Miyazaki and Flight. Miyazaki’s other films are worth watching, too, so I rewatched Kiki’s Delivery Service and Castle in the Sky, and took in Porco Rosso and The Wind Rises for the first time. This is the kind of gruelling convention prep that the professionals do, I suppose. Good thing I did.

We were never able to find any other fanboys panelists to join us, so the two of us had to work hard. Chris brought the notion that flight is almost a character in Miyazaki’s works, with its own character arc and resolution. I argued that flight is more of a recurrent theme for Miyazaki, like feminism, pacifism and ecological sensitivity are. All of those are influences on my own work, as are his richly complex antagonists.

I still think Nausicaä is the best of his films. It is one of a very few films that I have watched more than twice.

We had a good discussion, and the right audience. Two people stopped by the table afterwards to recommend Last Exile, an anime series from the same people as Blue Submarine No. 6, but with flying machines. I’ve been watching it ever since I got home.

 

 

Dinner Debriefing: Inferno’s on Academy

We were in Winnipeg for the weekend: I was going to KeyCon, a convention with writerly stuff, and Caroline was planning to go plant shopping. We hooked up for dinner each day.

Inferno’s in St. Boniface is one of our favourite Winnipeg restaurants, but with our hotel near the airport, and my convention downtown, there wasn’t time to venture so far. Inferno’s on Academy offers a similar menu, with much less driving, making it possible for us to eat, drop Caroline off back at the hotel, and still get me downtown in time for the opening ceremonies at 7:00.

We went at around 5:00, so there was no need to worry about noise or a busy kitchen. The food was tasty: we had wonderful calamari, and I sipped a Bulldog beer, while Caroline had a glass of house Chardonnay. We made it a seafood theme, Caroline chose mussels and frites, I went with the arctic char with gruyere. Both were good, and Caroline got her frites extra crispy, as she asked.

Highlight of the evening was Caroline’s dessert, a chocolate fantasy that swept her away.

I don’t do ratings, I only say whether I would return. Yes I would. I still prefer the original Inferno’s Bistro location, because I like the ambiance a little more, and find the servers more knowledgeable and a smidge more attentive. But if I was in the neighbourhood, I’d happily go to Inferno’s on Academy again.

 

 

Prose & Cons: My Keycon Schedule

In May, I’ll be in Winnipeg for Keycon. The organizers consider me a published author, which is nice of them since Keycon 34 runs from May 19th to 21st, and Avians won’t actually be released until August 1st. Blatant plug: Avians is available for pre-order now at Five RiversKobo, Amazon, and Barnes & Noble.

I get to do stuff.

FRIDAY

On Friday evening, at 8:00PM, I’m attempting Miyazaki and Flight with Timothy Gwyn: Flight has fascinated humankind for centuries. Join our panelists as they discuss anime master Hayao Miyazaki’s use of flight in his films, and how they’ve inspired writers and fans alike.

Hayao Miyazuki’s anime works, especially his Nausicaä of the Valley of the Wind, have been a big influence on my fiction. He portrayed some lovely and fantastic flying machines: airships, multi-wing flying fortresses, jet powered gliders, and more. Not only that, he made the machines and their flight characteristics integral to his plots. The other panelists are still TBA.

SATURDAY

Saturday, I have it easy.

From 11:00AM to 12:00 noon, I present Alternative Aviation in Science Fiction with Timothy Gwyn: From Autogyros to Zeppelins: a catalogue of unusual aircraft past, present and future. A look at the strengths and weaknesses of each, plus how much technology is needed to build them, and how well they fit into different sub-genres of SF. Examples from noteworthy fiction, and how they played a role in plot or worldbuilding. Do you need air transportation in the age of steam, or on an alien world? Alternative aviation may hold the answers you’re looking for. Remember: getting there is half the fun!

I did this slideshow at When Words Collide last year, with Lindsay Kitson’s help. She has offered to run the projector and help again. Wait, did she say help or was it heckle?

After that, I’m free to roam around and take in friend’s panels. Such as Lindsay’s, and also Daria Patrie’s. I’m looking forward to How to Edit Your Own Work, and Why You Need an Editor, with Lindsay Kitson, J. Boone Dryden, Diane Walton and Daria Patrie, Point of View, with Gerald Brandt, Melinda Friesen, Lindsay Kitson, and Daria Patrie, Women in Speculative Fiction with Kelley Armstrong, Tamsen McDonough, Lindsay Kitson, and Van Kunder, and Critique Group Survival with Lindsay Kitson and Daria Patrie.  I’m in their critique group, and it’s been invaluable.

SUNDAY

Sunday, I’m busier.

From 11:00AM  to 12:00 noon, I’m doing the Book Reading with Timothy Gwyn, Sherry Peters and Melinda Friesen: Timothy Gwyn reads from Avians, Sherry Peters reads from Mabel the Mafioso Dwarf, and Melinda Friesen reads from Subversion. A question and answer session follows the readings. Stay until the end to receive a free ticket for a chance to win $40.00 in Dealers Room Dollars. One ticket, per person, per Reading Session. Draw to be held Sunday at noon.

Sherry and I go back several years, and I’m looking forward to meeting Melinda.

From 2:00PM to 3:00PM it’s Aviation and Believable Airships and Aircraft in Science Fiction with Timothy Gwyn and Lindsay Kitson: An interactive session with two pilots who are also writers. Lindsay Kitson and Timothy Gwyn tackle the credible and incredible in aviation fact and fiction. Learn how getting aviation right can enhance your story. Some pointers on how to keep it real with aircraft and airship scenes that actually work.

Lindsay and I both cringe at some of the things we see written about aircraft. In exchange for putting up with our grousing, audience members brave enough to take a quiz will have a chance to win one signed and dated author’s copy of Avians. Remember, that’s a pre-release first edition.

I might give away a second copy at one of my other slots. It’ll be a surprise.

From 3:00PM to 4:00PM, I have How Do Writers Read Books? With Kelley Armstrong, Gerald Brandt, Timothy Gwyn and Den Valdron: Can a writer read a book for pure enjoyment without critiquing the writing? Can genre writers read books within their own field without being overly influenced by those books? What books do writers read? What books do writers recommend aspiring writers to read?

This will be a nice way to finish up. Gerald Brandt helped me write queries and gave me great advice on a word-count problem. I’ve seen Kelley Armstrong at cons, but never really spoken to her, despite us having a name in common. Like me, Den Valdron is with Five Rivers Publishing, and I was at the launch of his The Mermaid’s Tale at When Words Collide in Calgary last summer.

Come see me and my friends at Keycon. I’m excited about it.

Author Copies

A box arrived in the mail the other day. Now, any day I get a parcel is a good day, but this box was especially fine because it contained books. My books.

I have to say, it feels special to actually pick Avians up and hold it.

The Five Rivers team lavished attention on this book, and it shows in every detail.

Cover artist Ann Crowe did more than the cover illustration you see here. Read what Ann had to say about her artwork for Avians at this page on the Five Rivers Publishing website, and see some of her preliminary sketches there too, including some I never saw. One of her alternative proposals that I did see was a character sketch of Raven and Mel that I loved, and a finished version of that graces the book’s title page. She also drew a little sketch of a glider and an airship for each chapter title, a beautiful touch.

Art Director Jeff Minkevics and book designer Érik Desmarais teamed up on a lovely title font, so between them, the book looks splendid inside and out. Érik even found time to fix a missing title that was my fault, and he has my gratitude for using my own little glider graphics as scene dividers. Jeff borrowed one of those three glider silhouettes I drew for Érik and put it to use on the back cover, so you can see it in the photo above.

In addition to all the work he did last year, Senior Editor Robert Runté smoothed over some last-minute hiccups: a sentence that got broken late in the setup, for instance, and a baffling one that we had somehow overlooked all along.

I can’t begin to imagine all the things publisher Lorina Stephens does, but I do know she was patient with my frequent anxiety attacks.

The end result of all this teamwork is close to miraculous. My beta manuscript was a stack of paper in a ring binder. Working with a responsive team at a small press has produced a finished product with some details that are amazingly close to my personal vision, but with an overall harmony that I could never have imagined. I couldn’t be prouder.

Avians is available for pre-order now, through Five Rivers and major online booksellers like Kobo, Amazon, and Barnes & Noble. Release is scheduled for August 1st, and it will be available in your favourite e-book format, or as the beautiful trade paperback you see above.

 

 

Avians – Cover Reveal

Can’t resist reblogging this!

Lindsay Kitson - Author and Pilot

You might recall I mentioned one of the members of my critique group was getting published, and I promised to post more when there were further developments. Well it’s getting closer to his publication date, and he’s got a cover reveal post on his blog right here. 

I read this in it’s infancy a few years ago, and while it needed work at that point – every novel does at that stage – I whipped through it as fast as I used to read authors like Lloyd Alexander and Monica Hughes. Actually, I think Monica Hughes would be the author I’d compare him to – YA, but with serious themes and without the preoccupation with romance that a lot of YA fiction with female focal point characters seems to feature these days.

And I can’t say 100% for sure that I didn’t read it that fast because it revolved around…

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