Prose & Cons: Can-Con 2017

Less than a week to go before Can-Con. I think this is my fourth visit to Ottawa. I’m looking forward to morning walks along the canal, seeing my Ottawa friends, and perhaps some fall colours.

I have a light schedule at Can-Con this year: I’m taking a workshop on Friday, doing a reading on Saturday, and joining a panel on Sunday. (See the convention’s full program here.) That’ll leave time for meals! We know some nice restaurants, and we’ve made some reservations already.

Friday: We fly in late Friday morning, so I couldn’t make the noon workshops. The second batch are at 2:30, and that includes Nailing Your Beginning with James Alan Gardner, which I’ve signed up for. I need this; I suck at beginnings. I’ve been more or less stalled on my WIP’s opening for months. As it’s a sequel, I thought it would be easy, but I’m finding it hard because this time around, no-one will be explaining stuff to the main character, which may leave readers struggling or confused. Maybe I should have her explain things to someone else…

After that, registration, opening ceremonies, perhaps a panel, and then dinner out with Caroline.

Saturday: Lots of cool panels and readings to attend, and I’m scheduled to do my own reading from Avians at noon. Guess I better rummage around and select a scene or two. Su J. Sokol and Ryan McFadden are the other readers in the room for that hour, so that should be a fun session. I’m likely to be too busy for a proper lunch date, so I’ll probably just grab something in the lobby bar and get back to the con. I’ll sacrifice some of the early evening sessions to make time for a nice dinner, though, and then I want to be back for a later panel and the Bundoran Press party.

Sunday: we have breakfast plans, and I’ll have an easy morning sipping coffee at the con, then in the afternoon, I’m sitting on the Leveling Up Your Writing with Formal Courses panel with Curtis C. Chen, Suzanne Church, Leah MacLean-Evans,  and Kelly Robson (moderator). I think that means I’ll be representing the more affordable end of the education spectrum compared to full six week Odyssey or Clarion resident courses or a university Master of Fine Arts program. I took an Odyssey online course one winter, and got a lot out of it.

We don’t fly home until Monday, so we’ll have all Sunday evening for a leisurely supper.

Prose & Cons: WWC 2017

This was my best convention ever, in several ways. Calgary’s When Words Collide is always well organized and fun, but with my book finally out, I felt more confident being among authors, and I think that let me open up and be myself more.

Here are the highlights:

WWC doesn’t generally designate moderators, so when no one else wanted to do it, I volunteered to moderate both of the panels I was on. With only gentle steering, conversation flowed and the time flew by. A well-published author shook my hand and thanked me, the convention volunteers said nice things, and there were positive mentions on Twitter.

At Five Rivers Presents, I launched Avians and moved people with short, powerful readings. Five Rivers Publishing gave some copies away, and for the first time, I got to sign books for complete strangers.

I did a solo presentation on Writing Aviation that engaged the audience. People asked relevant and insightful questions, and when our time was up, gathered around the table to talk and take my cards. I had to usher the last ones out to the anteroom so the next panel could set up. Again, tweets.

With the help of Myth Hawker, I sold a few copies of Avians in the dealer room. That means people picked up my book, looked it over, and decided they’d pay money to read it. Woot! At one point, I passed by the table just minutes after someone had bought a copy. I caught up to her further down the room and signed it for her.

I went to the mass book signing, where anyone (you don’t have to register for the con) can come to have books signed by the attending authors. There are long lines for the famous writers, but I expected to be lonelier than the Maytag repairman. Complete strangers came up to me and asked me to sign their copy of Avians. I saw someone holding my book and scanning the crowded room to look for me. I don’t know what that feeling is called, but it was an “oh!” moment.

As the mass signing wound down, I went over to say hi to C.P. Hoff to tell her that Caroline and I both loved her book. Caroline and I have very different reading tastes, but Connie’s zany A Town Called Forget made both of us laugh. Connie’s hotel room was near ours, and she ended up giving a signed copy to Caroline in person.

I served as reader for the science fiction session of Live Action Slush. Despite my best efforts to make each story opening sound strong and engaging, almost all the samples got shot down before I made it to the bottom of the page. The editors on the panel were polite and constructive, but they wanted it all: if there was action, they wanted character; if there was character, they wanted conflict; If there was conflict, they wanted a hook. Their advice was aimed at taking good writing and raising it to exceptional.

The conference was impressively organized and the staff of the Delta hotel were wonderful. I signed up for next year before the convention ended on Sunday afternoon.

P.S. For a more comprehensive look at When Words Collide, see this review of the convention by Robert Runté, who has been at it for many years.

 

 

 

Prose and Cons: Countdown to Launch

AVIANS has been officially released, meaning it’s now widely available online. I have some links at the right, if you like.

Oh, and I just found out that copies have arrived at my local bookstore: Elizabeth Campbell Books at 129 Main St. S. in Kenora has them in stock now, and my books aren’t just in the store, they’re in the window!

The launch will be at When Words Collide, in Calgary, on Saturday, August the 12th. WWC is a big convention that brings together writers from all genres.

So between now and then, I have some things to do.

I have some panels to prep for. On Friday afternoon, right at 5:00, I have one called Worldbuilding? where I hope to talk about some of my favourite aspects of this art: using key details, showing what isn’t there, and staying true to the character’s perception. A fictional world, no matter how strange, should feel immersive.

Saturday morning is Pantsers versus Plotters with some friends at 10:00 am. Ron Hore is a true pantser. He picks a title and starts writing. Another of the panelists is Robert Runté, my editor from Five Rivers. I don’t actually know which side of PvP he’s on. I hope we have at least one dedicated plotter, because I think both pantsers and plotters are amazing. For me, outlining comes late in the process; I tend to write the action scenes first, then expand outwards, developing character as I go and plot twists last.

Saturday afternoon I have the launch: Five Rivers Presents is set for 2:00 pm in the Fireside Room, with Senior Editor Robert Runté presiding. At other events, I’ve read whole scenes or half scenes, but for this one I’m thinking of short snippets. That way I can introduce two or three of the main characters and choose pages that show them in action, conflict or stress. C.P. Hoff is going to be there to read some highlights from her A Town Called Forget, and she’ll make everyone laugh, so for my reading, I may choose some of the parts of Avians that make me cry. Like when Raisa vents on how she feels about arranged marriage, or when Mel clings to an unrealistic hope that an accident hasn’t been fatal.

Immediately after that, at 3:00, I have my solo presentation on Writing Aviation. I’m going to talk about some of the confused reporting I often see when the media covers aviation incidents and then move on to talk about using flying in fiction to advance plot in ways beyond mere transportation. Along the way, I hope to explain that pilots don’t really speak entirely in jargon, and that the lingo changes so fast that it’s probably a mistake to include much of it anyway. As an alternative, I’ll offer some ways to have fictional pilots communicate clearly to the reader.

I’ll be at the mass autograph signing on Saturday evening, but my book’s only been out for a little while, so I don’t think there will be any masses for me. I have author friends I can hang out with, though, and at least one is launching a book on the same day.

Last up for me is the Science Fiction session of Live Action Slush at 11:00 am Sunday. If you’re not acquainted, here’s how it works: brave writers shuffle up to the front of the room and hand over two or three pages from their manuscript to the reader. In this case, me. Maybe there’s a reason this gig was available: I’m crossing my fingers that I don’t get whole swaths of unpronounceable alien words. I read the pages without identifying the author, and then a panel of editors and pro writers quickly dissect the sample’s strong and weak points. The brave writers, sitting in the audience, get their skin thickened, which’ll come in handy later in the submission process.

Monday, I fly back to Winnipeg and drive home to Kenora. Tuesday, I have an event at the Kenora Public Library. A whole hour to talk about Avians and read some bits. What I like best is the chance to answer questions. There never seems to be enough time for that. I love talking about the stuff beneath the book – the stuff that isn’t spelled out in the text, but seeps up between the lines.

By the way, if you’re not going to be in Calgary or Kenora, but you’d like to hear a reading, check out the AVIANS Audio links on the right. (Try scrolling down if you’re using a mobile device.) I’ve recorded the blurb, and all the scenes from the first chapter.

Keycon 34: Friday

Keycon is an SF convention held in Winnipeg on the May long weekend. I go because they have lots of stuff for writers. A few years ago, KeyCon 30 was the first sizeable convention I attended. I went to panels on publishing and agents, and I signed up for some blue-pencil sessions.

I remember being depressed after that. I went in thinking that with the book written, the rest would be easy. I left knowing that finishing a book is just the beginning.

I persevered.  I found a publisher. Avians is coming out in a few months.

Now I’m a panelist and a presenter, and I know most of the other writers there. I even own a display stand to show off my book.

Friday evening I had one panel, but it was perhaps the most challenging of the weekend. Chris Barsanti, the convention organizer who contacted me about attending, suspected I might be a Hiyao Miyazaki fan. His hunch was correct: Nausicaä of the Valley of the Wind is one of my favourite movies, and influenced my own story telling in several ways. Chris suggested we do a panel on Miyazaki and Flight. Miyazaki’s other films are worth watching, too, so I rewatched Kiki’s Delivery Service and Castle in the Sky, and took in Porco Rosso and The Wind Rises for the first time. This is the kind of gruelling convention prep that the professionals do, I suppose. Good thing I did.

We were never able to find any other fanboys panelists to join us, so the two of us had to work hard. Chris brought the notion that flight is almost a character in Miyazaki’s works, with its own character arc and resolution. I argued that flight is more of a recurrent theme for Miyazaki, like feminism, pacifism and ecological sensitivity are. All of those are influences on my own work, as are his richly complex antagonists.

I still think Nausicaä is the best of his films. It is one of a very few films that I have watched more than twice.

We had a good discussion, and the right audience. Two people stopped by the table afterwards to recommend Last Exile, an anime series from the same people as Blue Submarine No. 6, but with flying machines. I’ve been watching it ever since I got home.

 

 

Prose & Cons: My Keycon Schedule

In May, I’ll be in Winnipeg for Keycon. The organizers consider me a published author, which is nice of them since Keycon 34 runs from May 19th to 21st, and Avians won’t actually be released until August 1st. Blatant plug: Avians is available for pre-order now at Five RiversKobo, Amazon, and Barnes & Noble.

I get to do stuff.

FRIDAY

On Friday evening, at 8:00PM, I’m attempting Miyazaki and Flight with Timothy Gwyn: Flight has fascinated humankind for centuries. Join our panelists as they discuss anime master Hayao Miyazaki’s use of flight in his films, and how they’ve inspired writers and fans alike.

Hayao Miyazuki’s anime works, especially his Nausicaä of the Valley of the Wind, have been a big influence on my fiction. He portrayed some lovely and fantastic flying machines: airships, multi-wing flying fortresses, jet powered gliders, and more. Not only that, he made the machines and their flight characteristics integral to his plots. The other panelists are still TBA.

SATURDAY

Saturday, I have it easy.

From 11:00AM to 12:00 noon, I present Alternative Aviation in Science Fiction with Timothy Gwyn: From Autogyros to Zeppelins: a catalogue of unusual aircraft past, present and future. A look at the strengths and weaknesses of each, plus how much technology is needed to build them, and how well they fit into different sub-genres of SF. Examples from noteworthy fiction, and how they played a role in plot or worldbuilding. Do you need air transportation in the age of steam, or on an alien world? Alternative aviation may hold the answers you’re looking for. Remember: getting there is half the fun!

I did this slideshow at When Words Collide last year, with Lindsay Kitson’s help. She has offered to run the projector and help again. Wait, did she say help or was it heckle?

After that, I’m free to roam around and take in friend’s panels. Such as Lindsay’s, and also Daria Patrie’s. I’m looking forward to How to Edit Your Own Work, and Why You Need an Editor, with Lindsay Kitson, J. Boone Dryden, Diane Walton and Daria Patrie, Point of View, with Gerald Brandt, Melinda Friesen, Lindsay Kitson, and Daria Patrie, Women in Speculative Fiction with Kelley Armstrong, Tamsen McDonough, Lindsay Kitson, and Van Kunder, and Critique Group Survival with Lindsay Kitson and Daria Patrie.  I’m in their critique group, and it’s been invaluable.

SUNDAY

Sunday, I’m busier.

From 11:00AM  to 12:00 noon, I’m doing the Book Reading with Timothy Gwyn, Sherry Peters and Melinda Friesen: Timothy Gwyn reads from Avians, Sherry Peters reads from Mabel the Mafioso Dwarf, and Melinda Friesen reads from Subversion. A question and answer session follows the readings. Stay until the end to receive a free ticket for a chance to win $40.00 in Dealers Room Dollars. One ticket, per person, per Reading Session. Draw to be held Sunday at noon.

Sherry and I go back several years, and I’m looking forward to meeting Melinda.

From 2:00PM to 3:00PM it’s Aviation and Believable Airships and Aircraft in Science Fiction with Timothy Gwyn and Lindsay Kitson: An interactive session with two pilots who are also writers. Lindsay Kitson and Timothy Gwyn tackle the credible and incredible in aviation fact and fiction. Learn how getting aviation right can enhance your story. Some pointers on how to keep it real with aircraft and airship scenes that actually work.

Lindsay and I both cringe at some of the things we see written about aircraft. In exchange for putting up with our grousing, audience members brave enough to take a quiz will have a chance to win one signed and dated author’s copy of Avians. Remember, that’s a pre-release first edition.

I might give away a second copy at one of my other slots. It’ll be a surprise.

From 3:00PM to 4:00PM, I have How Do Writers Read Books? With Kelley Armstrong, Gerald Brandt, Timothy Gwyn and Den Valdron: Can a writer read a book for pure enjoyment without critiquing the writing? Can genre writers read books within their own field without being overly influenced by those books? What books do writers read? What books do writers recommend aspiring writers to read?

This will be a nice way to finish up. Gerald Brandt helped me write queries and gave me great advice on a word-count problem. I’ve seen Kelley Armstrong at cons, but never really spoken to her, despite us having a name in common. Like me, Den Valdron is with Five Rivers Publishing, and I was at the launch of his The Mermaid’s Tale at When Words Collide in Calgary last summer.

Come see me and my friends at Keycon. I’m excited about it.

Avians – Cover Reveal

Can’t resist reblogging this!

Lindsay Kitson - Author and Pilot

You might recall I mentioned one of the members of my critique group was getting published, and I promised to post more when there were further developments. Well it’s getting closer to his publication date, and he’s got a cover reveal post on his blog right here. 

I read this in it’s infancy a few years ago, and while it needed work at that point – every novel does at that stage – I whipped through it as fast as I used to read authors like Lloyd Alexander and Monica Hughes. Actually, I think Monica Hughes would be the author I’d compare him to – YA, but with serious themes and without the preoccupation with romance that a lot of YA fiction with female focal point characters seems to feature these days.

And I can’t say 100% for sure that I didn’t read it that fast because it revolved around…

View original post 148 more words

The Name Thing

This post has two topics, really. The first is why the names of characters in my books are so culturally blended, the second is my use of a pen name.

I’ve always been fascinated by names that reflect different cultural backgrounds. A Mexican restaurateur called Jésus Fong. A CNN news anchor called Soledad O’Brien. Names like these abound, and often escape our notice. To me they are a sign that our world is shrinking and coming together, one child at a time.

So when I set out to build a fictional world, I wanted that. I also wanted gender equality. The name I have is patriarchal. It was my father’s name, and his father’s name. I do know my mother’s maiden name, but that was her mother’s husband’s name. I vowed that on my world, it would be different.

So here’s how it works on Celadon, my orphaned colony planet. Girls take their family name from their mother, and it does not change when they marry. (Hi, Quebec!) So Raisa Wing is the daughter of Maria Wing, who is the daughter of Rhiannon Wing, and so on, all the way back to the First Landing. Raisa gets her first name from her dad. Boys do the opposite: they take their family name from their fathers, and are given their first name by their mothers.

You can guess that Raisa and her sister Nikita’s dad has Russian lineage, and sure enough his name is Anthony Kinakin.

On Celadon, the surviving settlers comprised a limited gene pool, so there has been a concerted effort to mix it up, resulting in some fun names. Some of my favourites include Rajeet Bjornsen, Ichigo Bertollini and Roberto Chan.

This naming convention leads to two things. First, there are powerful dynasties built by both male and female lines. Second, there is a tendency for careers to fall into gender-led roles, as children follow their dynasty’s field of expertise. Raisa is expected to study the silk industry of her powerful fore-mothers. Her brothers will be more likely to take after their father, a dye-master.

This is one reason why all the pilots are women or girls. That, and I thought it would make a nice change from the day-to-day realities of my male-dominated profession.

Now, as to the pen name. My real name isn’t a secret, but Tim Armstrong is a very common name. There are two of us in the town where I live, for instance, and if you Google it, you get a lot of articles about an executive at a software giant. There are a lot of other famous Armstrongs, too: Neil the astronaut, Louis the jazz musician, Lance the cyclist, Bess the actress, Jo Jo the football player. And let’s not forget Kelley Armstrong, the author of speculative fiction for young adults. As far as I know, I’m not related to any of them.

I could never have registered Tim Armstrong as a web domain or a Twitter handle, whereas Timothy Gwyn was a snap. I do have to spell it for people, but I hold a sneaky hope that they’ll then remember it. Gwyn was the middle name given to me by my Welsh mother, by the way. We’re closing the circle here. AVIANS is dedicated to Ruth Maureen. That’s my mom. She’s long gone now, but she was always supportive of my writing.Avians-promo

If any of this makes you feel interested in AVIANS, it’s available for pre-order at an increasing number of vendors. The official release date is August 1st. Various formats of e-book and the trade paperback can be ordered through Five Rivers Publishing, Amazon, Kobo, and Barnes & Noble, with others to follow. Chapters/Indigo and vendors in the European Union are rolling out in the next weeks. If you want a good old-fashioned printed copy, and you don’t want to order it online, you can ask your local bookstore to order it in, and they should be glad to help. I’m pretty sure they don’t have any other authors called Timothy Gwyn.