Keycon 34: Friday

Keycon is an SF convention held in Winnipeg on the May long weekend. I go because they have lots of stuff for writers. A few years ago, KeyCon 30 was the first sizeable convention I attended. I went to panels on publishing and agents, and I signed up for some blue-pencil sessions.

I remember being depressed after that. I went in thinking that with the book written, the rest would be easy. I left knowing that finishing a book is just the beginning.

I persevered.  I found a publisher. Avians is coming out in a few months.

Now I’m a panelist and a presenter, and I know most of the other writers there. I even own a display stand to show off my book.

Friday evening I had one panel, but it was perhaps the most challenging of the weekend. Chris Barsanti, the convention organizer who contacted me about attending, suspected I might be a Hiyao Miyazaki fan. His hunch was correct: Nausicaä of the Valley of the Wind is one of my favourite movies, and influenced my own story telling in several ways. Chris suggested we do a panel on Miyazaki and Flight. Miyazaki’s other films are worth watching, too, so I rewatched Kiki’s Delivery Service and Castle in the Sky, and took in Porco Rosso and The Wind Rises for the first time. This is the kind of gruelling convention prep that the professionals do, I suppose. Good thing I did.

We were never able to find any other fanboys panelists to join us, so the two of us had to work hard. Chris brought the notion that flight is almost a character in Miyazaki’s works, with its own character arc and resolution. I argued that flight is more of a recurrent theme for Miyazaki, like feminism, pacifism and ecological sensitivity are. All of those are influences on my own work, as are his richly complex antagonists.

I still think Nausicaä is the best of his films. It is one of a very few films that I have watched more than twice.

We had a good discussion, and the right audience. Two people stopped by the table afterwards to recommend Last Exile, an anime series from the same people as Blue Submarine No. 6, but with flying machines. I’ve been watching it ever since I got home.

 

 

Prose & Cons: My Keycon Schedule

In May, I’ll be in Winnipeg for Keycon. The organizers consider me a published author, which is nice of them since Keycon 34 runs from May 19th to 21st, and Avians won’t actually be released until August 1st. Blatant plug: Avians is available for pre-order now at Five RiversKobo, Amazon, and Barnes & Noble.

I get to do stuff.

FRIDAY

On Friday evening, at 8:00PM, I’m attempting Miyazaki and Flight with Timothy Gwyn: Flight has fascinated humankind for centuries. Join our panelists as they discuss anime master Hayao Miyazaki’s use of flight in his films, and how they’ve inspired writers and fans alike.

Hayao Miyazuki’s anime works, especially his Nausicaä of the Valley of the Wind, have been a big influence on my fiction. He portrayed some lovely and fantastic flying machines: airships, multi-wing flying fortresses, jet powered gliders, and more. Not only that, he made the machines and their flight characteristics integral to his plots. The other panelists are still TBA.

SATURDAY

Saturday, I have it easy.

From 11:00AM to 12:00 noon, I present Alternative Aviation in Science Fiction with Timothy Gwyn: From Autogyros to Zeppelins: a catalogue of unusual aircraft past, present and future. A look at the strengths and weaknesses of each, plus how much technology is needed to build them, and how well they fit into different sub-genres of SF. Examples from noteworthy fiction, and how they played a role in plot or worldbuilding. Do you need air transportation in the age of steam, or on an alien world? Alternative aviation may hold the answers you’re looking for. Remember: getting there is half the fun!

I did this slideshow at When Words Collide last year, with Lindsay Kitson’s help. She has offered to run the projector and help again. Wait, did she say help or was it heckle?

After that, I’m free to roam around and take in friend’s panels. Such as Lindsay’s, and also Daria Patrie’s. I’m looking forward to How to Edit Your Own Work, and Why You Need an Editor, with Lindsay Kitson, J. Boone Dryden, Diane Walton and Daria Patrie, Point of View, with Gerald Brandt, Melinda Friesen, Lindsay Kitson, and Daria Patrie, Women in Speculative Fiction with Kelley Armstrong, Tamsen McDonough, Lindsay Kitson, and Van Kunder, and Critique Group Survival with Lindsay Kitson and Daria Patrie.  I’m in their critique group, and it’s been invaluable.

SUNDAY

Sunday, I’m busier.

From 11:00AM  to 12:00 noon, I’m doing the Book Reading with Timothy Gwyn, Sherry Peters and Melinda Friesen: Timothy Gwyn reads from Avians, Sherry Peters reads from Mabel the Mafioso Dwarf, and Melinda Friesen reads from Subversion. A question and answer session follows the readings. Stay until the end to receive a free ticket for a chance to win $40.00 in Dealers Room Dollars. One ticket, per person, per Reading Session. Draw to be held Sunday at noon.

Sherry and I go back several years, and I’m looking forward to meeting Melinda.

From 2:00PM to 3:00PM it’s Aviation and Believable Airships and Aircraft in Science Fiction with Timothy Gwyn and Lindsay Kitson: An interactive session with two pilots who are also writers. Lindsay Kitson and Timothy Gwyn tackle the credible and incredible in aviation fact and fiction. Learn how getting aviation right can enhance your story. Some pointers on how to keep it real with aircraft and airship scenes that actually work.

Lindsay and I both cringe at some of the things we see written about aircraft. In exchange for putting up with our grousing, audience members brave enough to take a quiz will have a chance to win one signed and dated author’s copy of Avians. Remember, that’s a pre-release first edition.

I might give away a second copy at one of my other slots. It’ll be a surprise.

From 3:00PM to 4:00PM, I have How Do Writers Read Books? With Kelley Armstrong, Gerald Brandt, Timothy Gwyn and Den Valdron: Can a writer read a book for pure enjoyment without critiquing the writing? Can genre writers read books within their own field without being overly influenced by those books? What books do writers read? What books do writers recommend aspiring writers to read?

This will be a nice way to finish up. Gerald Brandt helped me write queries and gave me great advice on a word-count problem. I’ve seen Kelley Armstrong at cons, but never really spoken to her, despite us having a name in common. Like me, Den Valdron is with Five Rivers Publishing, and I was at the launch of his The Mermaid’s Tale at When Words Collide in Calgary last summer.

Come see me and my friends at Keycon. I’m excited about it.

Avians – Cover Reveal

Can’t resist reblogging this!

Lindsay Kitson - Author and Pilot

You might recall I mentioned one of the members of my critique group was getting published, and I promised to post more when there were further developments. Well it’s getting closer to his publication date, and he’s got a cover reveal post on his blog right here. 

I read this in it’s infancy a few years ago, and while it needed work at that point – every novel does at that stage – I whipped through it as fast as I used to read authors like Lloyd Alexander and Monica Hughes. Actually, I think Monica Hughes would be the author I’d compare him to – YA, but with serious themes and without the preoccupation with romance that a lot of YA fiction with female focal point characters seems to feature these days.

And I can’t say 100% for sure that I didn’t read it that fast because it revolved around…

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The Name Thing

This post has two topics, really. The first is why the names of characters in my books are so culturally blended, the second is my use of a pen name.

I’ve always been fascinated by names that reflect different cultural backgrounds. A Mexican restaurateur called Jésus Fong. A CNN news anchor called Soledad O’Brien. Names like these abound, and often escape our notice. To me they are a sign that our world is shrinking and coming together, one child at a time.

So when I set out to build a fictional world, I wanted that. I also wanted gender equality. The name I have is patriarchal. It was my father’s name, and his father’s name. I do know my mother’s maiden name, but that was her mother’s husband’s name. I vowed that on my world, it would be different.

So here’s how it works on Celadon, my orphaned colony planet. Girls take their family name from their mother, and it does not change when they marry. (Hi, Quebec!) So Raisa Wing is the daughter of Maria Wing, who is the daughter of Rhiannon Wing, and so on, all the way back to the First Landing. Raisa gets her first name from her dad. Boys do the opposite: they take their family name from their fathers, and are given their first name by their mothers.

You can guess that Raisa and her sister Nikita’s dad has Russian lineage, and sure enough his name is Anthony Kinakin.

On Celadon, the surviving settlers comprised a limited gene pool, so there has been a concerted effort to mix it up, resulting in some fun names. Some of my favourites include Rajeet Bjornsen, Ichigo Bertollini and Roberto Chan.

This naming convention leads to two things. First, there are powerful dynasties built by both male and female lines. Second, there is a tendency for careers to fall into gender-led roles, as children follow their dynasty’s field of expertise. Raisa is expected to study the silk industry of her powerful fore-mothers. Her brothers will be more likely to take after their father, a dye-master.

This is one reason why all the pilots are women or girls. That, and I thought it would make a nice change from the day-to-day realities of my male-dominated profession.

Now, as to the pen name. My real name isn’t a secret, but Tim Armstrong is a very common name. There are two of us in the town where I live, for instance, and if you Google it, you get a lot of articles about an executive at a software giant. There are a lot of other famous Armstrongs, too: Neil the astronaut, Louis the jazz musician, Lance the cyclist, Bess the actress, Jo Jo the football player. And let’s not forget Kelley Armstrong, the author of speculative fiction for young adults. As far as I know, I’m not related to any of them.

I could never have registered Tim Armstrong as a web domain or a Twitter handle, whereas Timothy Gwyn was a snap. I do have to spell it for people, but I hold a sneaky hope that they’ll then remember it. Gwyn was the middle name given to me by my Welsh mother, by the way. We’re closing the circle here. AVIANS is dedicated to Ruth Maureen. That’s my mom. She’s long gone now, but she was always supportive of my writing.Avians-promo

If any of this makes you feel interested in AVIANS, it’s available for pre-order at an increasing number of vendors. The official release date is August 1st. Various formats of e-book and the trade paperback can be ordered through Five Rivers Publishing, Amazon, Kobo, and Barnes & Noble, with others to follow. Chapters/Indigo and vendors in the European Union are rolling out in the next weeks. If you want a good old-fashioned printed copy, and you don’t want to order it online, you can ask your local bookstore to order it in, and they should be glad to help. I’m pretty sure they don’t have any other authors called Timothy Gwyn.

AVIANS Cover Reveal

My publisher sent me a lovely surprise the other day. AVIANS is scheduled for an official launch on August 1st, but it’s available for pre-order now. You can find it at the Five Rivers Publishing website, at Kobo, and now at Kindle as well. Others will follow.

So, apart from pre-ordering, why visit those sites?

Well, at the Five Rivers Publishing site, you can not only see the cover and pre-order the book, you can also click on stuff about me. There’s an author profile, and now there’s an interview as well.

At the Kobo link, you can preview the book as far as the entire first chapter and a little more.

AVIANS will be available as an e-book and as a trade paperback (large format, soft cover).

I checked out the preview myself, because even I don’t have a copy yet. I found a couple more nice surprises. Way back when we were just exploring concepts for the cover art, artist Ann Crowe drew a sketch of Mel and Raisa. It was a very insightful drawing, and although it would have been tough to make it work as a cover, I loved it. I wasn’t sure if we could find a way to use it, so I’m delighted to see that makes an appearance inside the book. So do my little glider silhouettes. Book designer Éric Desmarais incorporated them as scene dividers, and found a font for the titles that complements them beautifully.

 

Can’t talk you into clicking on any of those links? Here’s a peek for the impatient.

Audio

When I do readings, I like to keep them short. “Always leave them wanting more,” is good advice, especially if you want to sell books.

But right now, I’m challenged in the More Department. Avians doesn’t come out until August, so I don’t have a book to put in your hands. The cover art won’t be finished for another month or two, so I can’t have a poster. What’s an author to do?

Multiple short readings, that’s what. I’m going to do a series of readings from the first chapter of Avians and post them here as MP3 files. That meant upgrading my WordPress account to allow audio files, but as a bonus, ads are gone.

I’ve been meaning to do this for weeks, but I caught a cold, and my radio announcer voice headed down into James Earl Jones territory. Fun for Darth Vader impressions, but not really me.

My voice is recovering now, so today’s the day to make a start. I’ve begun with the BLURB. Check out the new Avians Audio heading at the right side of this blog page. Readings of PLANS, PICNIC, and FLIGHT, the three scenes that comprise Chapter One will follow, at intervals. PLANS is the scene I usually read at conventions, so when I post PICNIC and FLIGHT there will be something new for anyone who wants to hear more. If you’d like to be notified when I post new readings, rather than checking back every now and then, you could take advantage of the new [Follow] button.

Book Design

There’s something that I’m really coming to like about being with a small press: inclusion.

A little general background before we move on to specifics. Things like cover art and book design are business decisions. At a large press, the marketing department has a big say in those things, the author not so much. Self-published authors have much more control; they can choose their own artists and editors, and even overrule them, but it’s a ton of work to do everything a publisher does, and they have to pay for all those specialists.

Working with a small press can put an author on middle ground. You don’t get the marketing clout of the giants, but you don’t have to surrender to the machine. For me, this is turning out to be a happy place: Five Rivers keep me involved. Cover artist Ann Crowe and I exchanged emails for weeks.

I got an email the other day, it seems there’s a new guy on the Avians team. Éric Desmarais is working on the book design. He’ll be setting up the interior layout to make the pages look nice. That includes details like the choice of font, whether a chapter title falls at the top of the page or halfway down, the amount of white space (blank paper) between scenes and chapters and a slew of other details.

In a nutshell, Avians is about girls who fly gliders. Éric wanted to know what the gliders looked like. He was thinking some little glider silhouettes would make nice scene separators, but he wanted to get them right. I approve, because the gliders in question are unusual. They’re like a sailplane from our 1930’s, of wood and fabric construction, but they carry a wicker cargo pod that they can drop.  Stock clipart isn’t going to do them justice.

So I got out my graphics software, and drew these:trainer-3-view-003

Éric likes them, so I’m fairly confident they’ll be in the finished book. They’ll be small, of course, about the size of a paperclip, which is why I kept them so simple. You might be asking why three designs, why not just one? Well, Avians is written from three points of view, and each change of viewpoint requires a scene change. Éric says he likes the idea of a different graphic to introduce the scenes for each character. Raisa, the main character, will get the head-on view; her rival and sometime antagonist Mel will get the side view; and Corby, who has a more mature perspective, will get the overhead view.

I’m guessing that some readers will never make the connection. That’s the thing about book design. It’s like the frame around a picture: it’s jarring if it’s ugly, but if it’s harmonious, you don’t really notice it except as part of the whole. I just grabbed my Kobo to look at A Town Called Forget, by C.P. Hoff, because it had nice design. There’s a little graphic of a stack of letters tied up with a ribbon at the start of each chapter, and that’s very appropriate, because the letters from home are a key feature of the story. I checked the credits, and book design was by Éric Desmarais. I’m excited to have him on my side. I think his work is going to be beautiful. I’ll notice, and I hope you will, too.